This music is beautiful. Tony Lewis has done a superb job mixing this piece and breathing life into the tangled spaghetti I had made creating and recording the recorder parts. He also created and played the perfect and intricate percussion parts that are as much a part of this composition as my original work on recorders.

Sit down quietly with some great speakers and enjoy. I have been.

I have no words able to express how grateful I am to have this time to be working on creative projects again and with such amazing people like Tony, who has given so much time, energy and knowledge to this small piece.

Music by Racheal Cogan and Tony Lewis.
Mixing by Tony Lewis, David Hackett, and Dane Charles; MMCCS Studio 1, Macquarie University.
Instruments:
Tony Lewis – tombak, bass drum, tambourine, handclaps, cymbal and finger cymbal.
Racheal Cogan – Paetzold Contra Bass recorder, Bass recorder (Kung), Tenor recorder Takeyama), treble recorder (Michael Grinter), Ganassi in C (Michael Grinter).

 

Two Geese began in my tiny, but quiet living space with a stunning mountain vista. The snow was beginning to melt and I had no idea that my quiet-ish haven was about to be suddenly transformed by an impressive gaggle of geese returning to their summer quarters. They settled directly outside my window (for months): feasting on the fresh shoots of grass in the newly exposed earth, fluffy goslings in tow and generally making a louder noise than I ever thought possible. Recording was a frustrating exercise – but somehow I found quieter moments and they became the foundation for this short piece. It was named for a couple flying on an unexpectedly quiet day that I managed to do most of the recording in. It was lovely to see them, but I was also afraid that they just might have been the harbinger of the entire skein of geese returning to their home, and that my recording time was about to be cut once again by their raucous honking.

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